The link between history and today is strong. The mounts made by sands (I didn't call them dunes because they are more like mounts), was the site the travelers seeking Dharma stepped on. How is it related to us? When I took this translation out from yesterday's blog and put it on this photo, I found the verse worked like the beginning of a story. At the same time, this place in Dunhuang, is the start point of the travel for Buddhist Dharma seeking. Was it felt because the verse was written on-site, where the 'story' took place? Was it just look like the beginning of a story? Review of the former work In an interesting and inspiring conversation with Jane and Aliesha, I was asked whether I had put my works on a wall or in any form that I wanted to exhibit them. I always wanted to have my works mounted, but the paper is too fragile and requires skillful technique if I want to put them together. Thus, for testing, yesterday I mounted some wasted drawings together, some ...
The first two pages of the Diamond Sutra (868), from the idp Website When I asked someone whether I could take some words out of the Diamond Sutra, he answered me: you should not, because this was the translation done by the effort of so many people. It is so exciting to think about how many people have worked for this Diamond Sutra , read the Diamond Sutra . There is a link I can sense, but so hard to tell. A translation of a poem depicting who traveled to India for the Buddhist Dharma was made today. I am still curious about the position of a translator. 晋宋齐梁唐代间,高僧求法离长安。 In the period of Northern and Southern Dynasties and Tang Dynasty, the famous monks departed from Chang’an to travelled to India for the Buddhist Dharma. 去人成百归无十, 后者安知前者难 ? Only ten out of hundreds went back successfully, Was their arduous journey understood by the generation of later? 路远碧天唯冷结,沙河遮日力疲殚。 The trip was too long, only the piercing coldness...
Question of the day: What does staring inform? How is it be related to the Diamond Sutra, my main research material? How does it related to the non-linear temporal structure? The other questions: What this work is about? How will the work be completed as? an installation? a new media immersive work? On the analysis of the Diamond Sutra, Nagatomo (2000) questions the conventional idea of duality and proposes the 'neither nor' think pattern (deny every thought) rather than the pattern of 'either or' ( one correct, the other is incorrect). It is an interesting statement when he made a 'space' between the deem of oneself and the othering of the other beings: In the everyday standpoint of the `foolish, ordinary people’ when they assume the `natural standpoint’, a subject stands `here’, while a material thing exists `out there’ as an object, wherein a spatial distance separates them. In coming to know a material thing, the subject must objectify it and thus distance i...
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